agents

Indie book advertising that works?

Wednesday, December 1st, 2010

Yesterday, Lit agent Kristin Nelson wrote a blog post on Pub Rants–”Advertising That Works?“–that suggests a new way to publicize books. Ever hear of Groupon.com? It helps independent local businesses offer deals to local customers, sometimes at huge discounts. She sums it up like this:

It introduces subscribers to local companies that they might not have discovered otherwise and more importantly, if a subscriber buys the deal for the day, that person is committed to visiting that company or using that service in the very near future.

I’d love to know if this concept could work  directly for authors. For instance, a few indie authors  could team up and publicize book specials along a couple of different dimensions–say, “Get three books by local Portland authors for $25″; or, “Get three new YA paranormal romance books for $25.” It would be a great way for readers to connect with new authors in their geographical area, or new books in a genre they love.

If you know me, you’ll know that any kind of local publishing venture intrigues me. The “Big Six” publishers are not the bad guys–they’ve brought us every book we’ve ever loved–but I also love the idea of self-publishing, Wild West stigma and all. The number of books per year continues to climb, and yet the number of good manuscripts that get rejected continues to climb, too. If you’ll allow me a cautious flight of fancy, what potential there must be for (some) literature right now, if (some) authors and (some) readers alike move away (sometimes) from the big-box-store mentality of traditional publishing and instead write locally, buy locally, and read locally (a little more often).

Maybe, just maybe, books and reading would regain footing in American culture. As Leonard Cohen wrote, “There is a crack in everything; that’s how the light gets in.” For once, let it not be the light of a computer or television screen.

Conference report card

Saturday, November 13th, 2010

Venue: A
Agents: A
Value: B+
The coffee: A+
Fellow writers: A+

Like the Backspace Writers Conference last May, this autumn’s Backspace Agent-Author Seminar was the shortest distance between two points: writers and literary agents. Two days of 15-member workshops and panels made for two nights of dead-exhausted sleep and sore feet, if you happened to be wearing boots with four-inch heels. But the rigor is worth it, because the agents, location, and especially other attendees–and yes, Starbucks coffee–were outstanding. The only reason I gave the value a B+ is because everything in New York has a, well, New York price tag.

My pages and query letter seemed generally OK, based on the response they got from agents Michelle Brower, Rebecca Friedman, Natanya Wheeler, Alanna Ramirez, Adam Schear, Kirsten Neuhaus, and Paul Cirone. But the few flags and questions the agents raised are ones I have, too, and hearing them out loud in front of a group helped me answer them better for myself. Chiefly: yes, it’s a dystopian novel about near-future Gaza; no, present-day Gaza is not a dystopia, (1) by definition; and (2) not an appropriate setting for story I want to tell, because the way characters confront the division of men and women in this society cannot happen while strident criticism of the West is a conventional part of the argument.

Anyway, it’s complicated, but it is all helpful for me as the creator of this world. I’m clearer about the writing and revisions that come next, and more excited about my late winter deadline than I was three days ago. Add this to a long run in Prospect Park this morning, and the discovery of a Stumptown Coffee around the corner from Leena’s apartment, and the world seems like a generous place.

Onward!

coffee

I give thanks for good readers.

Sunday, November 22nd, 2009

I’m blessed with some very good first readers. They’re all great writers and editors, and their responses helped me get out of my own head and tell a better story. I’m also blessed with a partner who is not a writer, and as I learned this week, that opinion is worth a manuscript’s weight in gold.

Every writer needs someone to treat the characters like people, and express dismay when they do things that pull their story off track. Every writer needs to know when the novel stops working, even if the reader can’t explain why. Sitting at the breakfast table yesterday, talking over sticky plates, a few leftover pumpkin pancakes and coffee, I learned that when all other revision efforts have failed, the best critiques sometimes look like a shrug, sound like an, “I didn’t get it, sorry,” and are offered with love.

So, now having more or less figured out what an agent was saying when she said the novel comes apart at the end, I am revising it one more time and will resubmit it in December, and send it to other agents if I can. I also have to clean up the synopsis of the next novel, so that while THE IDIOT’S TALE is on submission, I can make progress with something else. But first we have to eat sweet potato casserole and pie. Happy Thanksgiving.

…longed for the rhythmic pounding of the surf, and the salty sea air.*

Wednesday, September 30th, 2009
Pacific Street, Rockaway Beach, Oregon

Pacific Street, Rockaway Beach, Oregon

What news? Pending my annual, five-day writing retreat at Rockaway Beach, I wanted to update my blog in grand Internet fashion: using a lot of words to say, basically, nothing much. Reseach on Book 2 continues at a loping pace thanks to Matt Beynon Rees, the prolific former Jerusalem bureau chief for TIME, whose information-dense Website and Palestinian mystery novels are giving me a lot of reading to do.

The weeklong retreat is meant as a turbo-outlining session, which means I ought to know what the novel is actually about in ten days or fewer. However, an agent promised to send revision notes on THE IDIOT’S TALE, and if those show up before I shut down my e-mail for a week, I will instead be knitting loose seams in the novel’s final third — all the while burning palm leaves, chanting quietly, Dear God please let it be good enough.

What other news? I finished my longest bike ever, at 80 miles. I turned the heat on in my office for the first time. E and I made killer fajitas, grilled corn, and mulled cider. Hello, autumn.

* We continue with our nascent endeavor to title every post using narrative cliches.

Submissions update

Tuesday, August 4th, 2009

A partial manuscript and full manuscript submission are still pending, and the good news of a few weeks ago (a cold query that turned into a request for a partial) came back with a form rejection last week. It’s been two months since the conference, and I am now wondering if I should query the remaining four agents from Backspace–just to keep this search from stagnating, and to prevent the May 30 conference from sliding even further into the distant past.

I’ve heard conflicting opinions about submitting queries in August. The publishing industry goes on vacation, say some. But other agents say they use the quiet month to catch up on queries, and that it is actually a good time to submit work. Any writers out there have personal experience with this?

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