travel

Thoughts while driving through San Antonio sprawl

Saturday, September 3rd, 2011

I re-read a 2009 Harper’s article by Jamaica Kincaid that asked why we need art and artists. Basically, she said, art is not for its own sake but to help us deal with human mystery–to access a sense of a greater mystery, a secret order to the world. It’s a secret, maybe, because one’s mind is a mystery most of the time; it’s full of stamps from childhood and forgotten infancy. As Jamaica Kincaid says, sometimes she doubts that she ever acts independently of her mother–that every act is a reaction, a response, or a reflection.

In Islam, it’s believed that when we die an angel must pull our soul free from where it is lodged in our throat. I wonder if art tries to do the same thing–to snag something secret and intimate to us, and pull it out into plain view. As I drive my errands around San Antonio, expending more gasoline in a few months than I’ve done in the last 10 years of my life, passing yet another crop of strip malls and filling stations and nail salons and chain restaurants, it occurs to me that Art–in the capital letter sense of the word–is like those angels. It reaches for what’s inside of us and pulls it out to remind us that we are not the landscape. It keeps us from choking on the banal.

What doesn’t grow, doesn’t travel well.

Wednesday, February 23rd, 2011

An update on SHAHIDA is long overdue, and like most things novelists say, requires context.

The short of it is that I plan to have a complete draft by the end of March, and am hauling away loads of scaffolding–that is, what the Portland Dangerous Writers call those tedious passages of first-draft writing in which the novelist explains the story to herself. The only thing SHAHIDA lacks is its ending, which lies somewhere beneath the final load of scaffolding. You can’t find clarity until you’ve piled a lot of chaos on top of it, and let it germinate.

The long of it is that while I am finishing this novel, E. and I will be uprooting ourselves again and moving to San Antonio. I’m getting better at chaos–at searching for houses from afar, checking walk scores, finding the right glassware (e.g., the margarita glasses) on the other side, and most of all, stepping back from routines, favorite streets, new friends, and whatever lens on the world is local to the current city. Except for the friends, it’s scaffolding. It doesn’t travel well. Unless it someday appears in a novel, reshaped or cleverly distorted, it’s gone.

What travels is the habit of writing; the love of my work; the long e-mails with friends (it has been a joy to discover a sharper premise in tandem with my friend Laura Stanfill‘s own journeys into her novel, for instance); and the whole complex inner city that is a relationship with another human being. Maybe language, too–the most personal lens on the world, our voice.

There seems to be a chicken-and-egg question with regard to adaptation, travel, and growth. What doesn’t travel cannot learn to adapt. Yet what doesn’t grow doesn’t travel well, either.

The Portland Express

Saturday, August 14th, 2010

I have been meaning to reintroduce myself to this blog. On July 15, E. and I set off on a cross-country move from Portland, Oregon to Portland, Maine–a long trip that left surprisingly little time for pleasure reading. Still, I made it across fourteen states and through David Pressfield’s Gates of Fire, and have unpacked all the boxes and begun Kurt Vonnegut’s Breakfast of Champions. (Incidentally, it’s a lewd little treasure, tempered with his usual sad cleverness.)

My new home and office are located downtown, in an architectural farrago at the very end of a dead-end street. The building itself is the last in a row of redbrick office structures. Our living room faces the Cumberland County Civic Center: basically, a mid-century concrete fortress. And my desk window overlooks a line of gaunt, weathered houses that could have been taken from The Shipping News.

The streets are full of potholes, and in the potholes you can see the cobblestones underneath. It’s a fair metaphor for the city itself, whose history shows through the layer of restaurants, gift shops, backlit ATMs, hotels, and bank buildings. Every morning at the wharf, lobster vessels set out before dawn, and among all the sailboats on the water, you’ll see thousands of round buoys marking the traps.

I realize that I missed this twin sense of history and labor in Oregon’s Portland, and I’m glad to be back on the East Coast. For my non-Maine friends, if you’d like to write to me, you can do it from this website or through Facebook–or if you still have paper and ink, I can even give you my mailing address. Nothing has changed with my editing business, or my plans to finish the next novel this winter. In the meantime, here are a few shots of our trip eastward.

Stay tuned for an interview with Pacific NW fantasy author Adam Copeland, who released his first novel, ECHOES OF AVALON, this summer.

When a network works, how many works can a network sell?

Wednesday, February 17th, 2010

Declan Burke, an Irish author I hadn’t heard of until today, is a great example of either (a) a writer with lots of quality friends who diligently read his blog; (b) a writer who is about to be inordinately successful with his forthcoming self-published noir novel; or (c) both.

While self-immersing in a Cat 5 data stream, looking for self-publishing trends, I happened upon Burke’s blog, Crime Always Pays. Recently, he blogged his decision to self-publish A GONZO NOIR. The manuscript must be solid enough, judging by its blurb from John Banville and the number of near-misses in the traditional publishing industry. Good for him, I thought; then, scrolling down, found no fewer than 15 comments from his friends, each one ordering multiple copies of his book. Holy cow.

Maybe he is just that good, and his friends know it. Or maybe it’s Ireland; I lived there for a summer, and many people were unusually blithe about spending money to be nice. I know for certain, however, here on the tail end of a day’s research, that I haven’t seen a blog work so well or so immediately for a writer anywhere else. Good luck, Declan!

…longed for the rhythmic pounding of the surf, and the salty sea air.*

Wednesday, September 30th, 2009
Pacific Street, Rockaway Beach, Oregon

Pacific Street, Rockaway Beach, Oregon

What news? Pending my annual, five-day writing retreat at Rockaway Beach, I wanted to update my blog in grand Internet fashion: using a lot of words to say, basically, nothing much. Reseach on Book 2 continues at a loping pace thanks to Matt Beynon Rees, the prolific former Jerusalem bureau chief for TIME, whose information-dense Website and Palestinian mystery novels are giving me a lot of reading to do.

The weeklong retreat is meant as a turbo-outlining session, which means I ought to know what the novel is actually about in ten days or fewer. However, an agent promised to send revision notes on THE IDIOT’S TALE, and if those show up before I shut down my e-mail for a week, I will instead be knitting loose seams in the novel’s final third — all the while burning palm leaves, chanting quietly, Dear God please let it be good enough.

What other news? I finished my longest bike ever, at 80 miles. I turned the heat on in my office for the first time. E and I made killer fajitas, grilled corn, and mulled cider. Hello, autumn.

* We continue with our nascent endeavor to title every post using narrative cliches.

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